Relatives, Skye Tafoya, 2022
Relatives, Skye Tafoya, 2022
Skye Tafoya
Relatives, 2022
Serigraph, Ed. of 43
30 x 22 in.
Kin highlights my present relationship to my surroundings through abstract representation. Within the print, there are colors and motifs that depict the sky, spirits, ancestors, animals, plants, weather, crops, water, and humans. Although, each of these Beings has always been presently relevant in my life, each of them now connects me to my toddler. I have a responsibility to teach my child to respect and learn from these entities, and I do a partial part of that through my art practice. Another way of teaching is by telling traditional stories, which give a deeper connection to the Kin that we (un)fortunately do not encounter in our daily lives. One story, in particular, is about the Uk’tena, a giant snake-like serpent known for its mesmerizing physical appearance. The Uk’tena was an elusive beast hiding in the lonely mountain passes or in the deep water after four days of heavy rain. The Uk’tena had shimmering scales reminiscent of copper that were impenetrable by any man-made weapon. The Uk’tena could only be defeated by damaging or taking the U’lvsvdi (crystal/diamond/shining rock) that laid between its eyes. The prized U’lvsvdi was beyond an ordinary crystal, it is why Uk’tena means “keen-eyed” because the beast would use it to hypnotize anyone who tried to take it. The U’lvsvdi emitted a light so enchanting that anyone who stared into it either froze or ran toward it... becoming its prey. While the history of this great serpent has been passed down for generations, very few have actually obtained the U’lvsvdi. The Uk’tena and the U’lvsvdi remind us to be humble and not to take what is not ours. *The Uk’tena influenced the infinity shape that the motifs reside in within the print and the double diamond split fountain is a loose translation of the U’lvsvdi.
Rhiannon 'Skye' Tafoya (Eastern Band Cherokee & Santa Clara Pueblo) creates two-dimensional and three-dimensional forms ranging from hand-held to life-size. Her Indigenous heritage and lineages are significant elements continuously present and honored within her work. Skye uses several processes to create her work, including serigraph, relief and letterpress printmaking, digital design, paper-weaving, and book-making. Her books, prints, and paper weavings have been inspired by her dad and maternal grandmother making baskets from Red Willow, Honeysuckle Vine, and White Oak. Although her work and designs are heavily influenced by basketry, she includes personal and family narratives, cultural teachings, and the Cherokee language. The artist intends to preserve, archive, and share stories, language, culture, and experiences. Skye published her first artist book, Ul'nigid', in the spring of 2020 and has exhibited work nationally and internationally. Her work is also housed in many notable collections, including the U.S. Library of Congress, the M.E.T. library, Kohler Art Library, and the Bainbridge Island Museum of Art. She received her B.F.A. from the Institute of American Indian Arts in Santa Fe, NM, and her M.F.A. from the Pacific Northwest College of Art in Portland, OR.